The history of the Sonnet form
The Sonnet as a literary form developed through the thirteenth and the fourteenth century in Italy with the help of Sonneteers such as Giacomo da Lentini , Guittone d’Arezzo , Dante , Cavelcanti and most importantly Petrarch . It also grew popular in France before it was brought to England and modified by Thomas Wyatt and the Earl of Surrey , Henry Howard in the Sixteenth century . Wyatt and Howard , though started off by translating Petrarch’s works , soon remodelled the metrical form of the Petrarchan Sonnet to suit the rhythmic structure of the English language . Unlike the Petrarchan sonnets , consisting of an octave ( eight lines rhyming as abba-abba ) and a sestet ( six lines rhyming as cde-cde ) the English sonnets started having three quatrains and a couplet ( usually rhyming as abab-cdcd-efef-gg ) .

The arrival of Shakespeare

The English sonnet form was already nourished by poets like Sir Phillip Sidney , Edmund Spenser and Micheal Drayton when Shakespeare arrived in the literary scene and Sonneteers such as Samuel Daniel and Fulke Greville were his contemporaries . Even then , for the posterity the English sonnet form is usually known as the Shakespearean sonnet and with good reason because it is with the creative and imaginative touch of Shakespeare that the English sonnet form materialized to it’s full potential . Following the Petrarchan tradition , Shakespeare’s sonnets deal with a beloved as the source of inspiration , but unlike Sir Phillip Sidney who called his art a mere copy of the beauty of the beloved , Shakespeare claimed that his poetry added perfection to the natural beauty of the beloved .
” For to thy sensual fault I bring in sense
Thy adverse party is thy advocate ”
Most other Elizabethan sonnet cycles deal with a theme without further growth . But the Shakespearean sonnet cycle registers the progressive qualities of a narrative . Shakespeare’s art as a dramatist influences his skills as a Sonneteer as he builds his characters ( for example : the lover and the ” dark lady ” ) , who grow across the span of 154 sonnets . Also by making a largely homoerotic bonding between two men in the axis of his sonnet cycle , he creates a unique precedence . He also overturns the convention of Petrarchan conceits that standardized certain terms of comparison in sonnets such as sonnet 130
” My mistress’s eyes are nothing like the sun
Coral is far more red than her lips red ”
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Conclusion
With Shakespeare the English sonnet form achieved its full dramatic potential with the couplet often giving it a symmetrical effect . He brought different hues to the highly conventional format of the Sonnet . His witty puns and the sense of irony along with a complex view of love , art and life brought multiple layers of meaning within the economy of fourteen lines .
